III.5.1 Pompeii, on left. December 2018.
Looking east along insula III.5,
from III.5.1 towards III.5.5, on right. Photo courtesy of Aude Durand.
III.5.1 Pompeii. December 2018. Entrance doorway on north side of
Via dell’Abbondanza. Photo courtesy of Aude Durand.
Foto Taylor Lauritsen, ERC Grant 681269 DÉCOR
III.5.1 Pompeii, Undated photograph
but must be during excavations, on left, with undated photograph of front
facade, on right.
Foto Taylor Lauritsen, ERC Grant 681269 DÉCOR.
III.5.1
Pompeii. October 2017. Looking north towards entrance doorway.
Foto Taylor Lauritsen, ERC
Grant 681269 DÉCOR
III.5.1 Pompeii. September 2005. Entrance and upper floor.
The original façade of this shop was shaken by the bomb that fell across the Via dell’Abbondanza at the north-east corner of II.1.
According to Della Corte this used to have an ample balcony.
On the red plasterwork of a pilaster on the balcony was a long graffito, CIL IV 8873.
According to Epigraphik-Datenbank Clauss/Slaby (See www.manfredclauss.de), it read -
{H}Omnes nego deos vinca(t) vinca(t) pantorgana Tal()
cit(h)ar(o)edus
cantat Apol(l)o tibicina nempe ego
Came(l)o(p)ardus
(h)abet cor ut Achille(s) ob clar{r}ita(tem)
Sum rabid(a) ia(m) Volcanus e(m) medicina est
[CIL IV 8873]
Three electoral recommendations were also found here, one to the left and two to the right of the entrance naming Pascius Hermes.
A(ulum) Vettium aed(ilem) / Pascius faci[t] [CIL IV 7718]
Firmum aed(ilem) / Pascius facit [CIL IV 7721]
(rogat) (Pascius) Hermes [CIL IV 7722].
See Della Corte,
M., 1965. Case ed Abitanti di Pompei. Napoli: Fausto Fiorentino. (p. 368).
See Notizie degli Scavi, 1917, (p.248-9).
According to Epigraphik-Datenbank Clauss/Slaby (See www.manfredclauss.de), these read -
A(ulum) Vettium
aed(ilem)
Pascius faci[t]
[CIL IV 7718]
Firmum aed(ilem)
Pascius facit
[CIL IV 7721]
A(ulum) Settium
Verum
aed(ilem) d(ignum)
r(ei) p(ublicae) o(ro)
v(os) f(aciatis) Hermes.
[CIL IV 7722]
According to Varone and Stefani, also on the west pilaster (left) were CIL IV 7717, 7718 and 7719.
On the east of the entrance (on the right) were CIL IV 7720, 7721, 7722 and 7723.
See Varone, A. and Stefani, G., 2009. Titulorum Pictorum
Pompeianorum, Rome:
L’erma di Bretschneider, (p.277)
According to Epigraphik-Datenbank Clauss/Slaby (See www.manfredclauss.de), they read as –
L(ucium) C(eium)
S(ecundum) IIv(irum) i(ure)
d(icundo) [CIL IV 7717]
Capell[am [CIL IV 7719]
C(aium) C(alventium) S(ittium) M(agnum) IIv(irum)
[CIL IV 7720]
L(ucium) Albucium
a[ed(ilem) [CIL IV 7723]
III.5.1 Pompeii. December 2004. Entrance doorway.
III.5.1 Pompeii. September 2005. Steps to upper floor with two steps remaining.
To the right is the door to the rear room which has a window to the north, which is not excavated.
According to Liselotte Eschebach, this may have been a grocery shop.
The upstairs may have been rented out as a workshop. Tools and furniture fittings were found there.
See Eschebach, L., 1993. Gebäudeverzeichnis und Stadtplan der antiken Stadt Pompeji. Köln: Böhlau. (p. 107).
III.4, Pompeii, on left. September 2005. Unnamed vicolo looking north. III.5.1, on right.
In the vicolo between insula 4 and 5 are inscriptions in which the owners of the buildings invoked the wrath of Jupiter on those who defecated there.
“Cacator cave malum” is written twice [CIL IV 7714 and 7715] and also a third “Cacator, cave malum, aut, si contempseris, habeas Jovem iratum” [CIL IV 7716].
See Della Corte, M., 1965. Case ed Abitanti di Pompei. Napoli: Fausto Fiorentino. (p. 367).
According to Epigraphik-Datenbank Clauss/Slaby (See www.manfredclauss.de) CIL IV 7716 read as:
Cacator cave
malum
aut si
contempseris habeas
Iove iratum [CIL IV
7716]
This translates as –
To the one defecating here beware of the curse. If you scorn this curse you will have the angry Jupiter (CIL IV. 7716).
See Hobson, B., 2009. Latrinae et foricae: Toilets in the Roman World. London; Duckworth. (p.143)
III.5.1 Pompeii, side wall, on right. October 2017. Looking towards east wall of unnamed vicolo between III.4, and III.5.
Foto Taylor
Lauritsen, ERC Grant 681269 DÉCOR.